Warehouse 13 how old is mrs frederick

So even if it wasn't exactly signposted, maybe this show was leading us to a place where that fear of hurting yourself or others no longer holds so much power. Maybe that was an arc over the course of the show, and last night was its endpoint. This was a show about love. And for most of its run, it was about the love of friends who become a de facto family, rather than romantic love.

Most of this show's attempts at exploring romance Kelly, Hardware Store Guy were so lackluster, even the writers admitted defeat a little. Meanwhile, the relationships among the core characters were the lifeblood of the show, and most shows would kill to have such effortless chemistry among their main cast. In the finale, the strongest love — the love that's really explored — is the love of the Warehouse, and it's sort of hinted that our gang pours out enough love in their testimonials that the Warehouse changes its mind about moving.

In the midst of that, Pete and Myka find each other as well — but the real moment of requited love is when Artie pours out his hurt and outrage to the Warehouse until at last, it sends him an apple.

And if I choose to believe that after this episode, Pete and Myka went on three dates and then had a " Lou Dates Mary " moment, then I think the show still leaves that possibility open. It's a show about necromancers who use the possessions of dead people instead of their actual bodies. Look at it this way: the Warehouse agents haven't only been "snagging, bagging and tagging" for at least a couple years now. Whatever hesitance about using artifacts they might once have felt because "there's always a downside" has largely faded — Artie now routinely pulls out tuning forks and magic widgets.

He kept Claudia's sister in a coma for a decade using a record player and some bands. And that feels more realistic, honestly — but these aren't just Men in Black-esque agents who lock dangerous stuff away, they're sorcerers who use knowledge to control magic.

Watching the final episode, with Mrs. Frederic communing with the Warehouse via the big memory swirl thingy, made it clearer than ever. They draw power from the dreams and loss of people who died, and the thing that keeps them from becoming monsters is their connection to each other.

It's a more inclusive, less dehumanizing version of the standard hero origin. Two things stand out in the final episode: Pete feels that he's become a better person as a Warehouse agent, and fears that he will backslide without the Warehouse. And Claudia realizes she still has a choice about becoming the next Caretaker, even after all of the ways she's taken advantage of her Caretaker-in-waiting status lately. Myka's big scene with Pete is as much about convincing him that he's not going to lose the new people in his life — nor can he turn back into who he was five years ago, as it is about romance.

Pete's gone through a heroic origin story that's less about being "chosen" and pointed towards a grand destiny like one of Joseph Campbell's endless identical soup cans, and more about becoming less of a jerk as he works for something bigger, with people who care about him. And meanwhile, Claudia has been "chosen" for greatness — when she was a kid, apparently — but it means nothing unless she can still be her own person. Have one to sell?

Sell now - Have one to sell? Shop with confidence. Get the item you ordered or get your money back. Learn more - eBay Money Back Guarantee - opens in a new window or tab. Seller information docholl Contact seller. See other items More See all. Details about Warehouse 13 Mrs. Item Information Condition:. The item you've selected was not added to your cart.

Add to Watchlist Unwatch. Watch list is full. May not ship to Germany - Read item description or contact seller for shipping options. See details. Located in:. Vallejo, California, United States. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees.

For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Seller does not accept returns See details. See payment details. Special financing available. Any international shipping is paid in part to Pitney Bowes Inc. It is during this that we return to Warehouse 2 and we see the final Obelisk placed into the floor. The ceiling touches it and stops! Just as they feel relief at this victory, a door opens to a hallway. As they go to it, they see very sharp, deadly blades swinging up into the floor…Which would cut someone to pieces if one did not know how to get through it.

The blades, being assisted by bursts of flame make this a rather precarious task! Peter thinks the hieroglyphics are code for how to get through the hall. Back at the Warehouse 13, Vanessa Dr.

Caulder returns to see Artie. We see the moon is eclipsing quite rapidly as Mrs Frederick grows weaker and weaker! Vanessa is there, hopefully to try to help her, or to assist in the transition to another who would become a Warehouse agent…Succeeding Mrs. Back in Egypt, the Hall is still ablaze with the blades coming up constantly.

Helena has an idea and fires a shot to send a cable down the hall to the other side. As they get across, they see Valda is staying back and the cable is on fire. You come back, we both will die! This is as it must be!

Now, GO! Valda falls into the flames. Alone again, without their guide, our trio is now going with Helena thru another door. Caulder, Vanessa, is now with Mrs. Frederick and it is clear she is there for Frederick. The headgear starts to act up and Vanessa asks if Mrs.

Frederick is in pain. As Mrs. Frederick starts to speak in Demotic again. Helena holding the torch aloft enters what appears to be another sub-chamber, like a temple with a large face in stone on the main wall.

As the others follow, We hear the voices of their loved ones talking to them. Helena hears her deceased daughter, Peter hears Kelly and Myka hears a male voice.

Peter is with Kelly, kissing her passionately and Myka is back at the modern Warehouse accepting a cup of Americano coffee from Artie. All of these we know are illusions and all three of our heroes are with those they love as if they are no longer in Egypt at all.

But we know they are very much in Egypt, their minds are where they want to be. Back in Egypt, the face on the wall has glowing eyes. I will always be right here for you and I can keep your secret because I love you! We see them in the Chamber looking entranced…. As the floor starts to crack under them. The glowing eyes seem to suspend them all in a hypnotic state as the floor starts to fall away.

Myka shouts and gets the others to come around as they do they all look into the face of the Medusa! Myka throws her torch into the eyes of the Gorgon. Helena is most upset and cries for her daughter. Myka comforts her and reminds her of the task at hand. Vanessa is with Mrs. Frederick and talk of what is to happen if she dies. Claudia refuses to even consider this possibility. A new Warehouse Agent must be appointed while she is still alive.

Claudia is the best one to be chosen for this, apparently. Frederick starts to speak Demotic again, but now no translation. They look out over the vastness of the Warehouse 2 and see an amazing shimmering light out in the center. Helena says it is safe to assume that is what is effecting Mrs. She tells the other to wait and lowers her torch into a well in the office. This starts an oil fire which travels about the warehouse and we see the beautiful illumination travel to light the whole place.

Peter sees a wonderful Astronomy wall, as I would call it. Holes in a wall, allowing pinpoints of light into the room, but to me seems to mean the stars. Look for Aquarius and they have the key! Peter and Myka go to the pinpoints as Helena takes off to check out the warehouse…. Or is she?